Thursday, 4 March 2010

KES BAND from Australia - Japan Tour


Kes Band, a highly-recommended psych-folk group lead by Karl E. Scullin (KES) from Melbourne, is having a tour of Japan this month with Tokyo's always wonderful My Pal Foot Foot.


Wednesday 17 March @ U.F.O. CLUB, Tokyo
KES BAND, Suishou No Fune, 20 GUILDERS, Eiji Mitomi and MY PAL FOOT FOOT.
Details on TGG

Friday 19th March @ UrBANGUILD, Osaka
KES BAND, MY PAL FOOT FOOT, maruo maruko, Suzmenba

Saturday 20 March @ Chika-ikkai, Osaka
KES BAND, MY PAL FOOT FOOT, jenny on the planet, jugz

Sunday 21 March @ HELLUVA LOUNGE, Kobe
KES BAND, JUG JUG FOOT FOOT (MY PAL FOOT FOOT + jugz), Eddie Marcon, sanmasimesaba

Monday 22 March @ K.D Japon, Nagoya
KES BAND, MY PAL FOOT FOOT

Thursday 25 March @ Nana Hari, Tokyo
KES (solo), Tetsuya Kurabayashi, Thomas Kyhn Rovsing Hjørnet, Pickle Pockle
Details on TGG

Saturday 27 March @ Penguin House, Tokyo
KES BAND, MY PAL FOOT FOOT, PUKA PUKA ((Ueno, Saya, Kiyonari, Ono, Yamazaki)
Details on TGG

More info: suhaak-haaksu

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Thursday, 18 June 2009

múm to play TAICOCLUB festival in Kawasaki


The enigmatic Icelandic band múm have been confirmed to play at TAICO CLUB 09 in Kawasaki, along with British electronic duo Plaid, microhouse artist Isolée, and Detroit techno DJ Carl Craig.


Earlier this month was TAICO CLUB at Nagano Kisomura Kodama No Mori, but this year there will be another festival in Kawasaki.

TAICOCLUB '09 KAWASAKI will be held on the weekend of the 19th and 20th of September at Kawasaki Higashi Ogishima East Park.

Ticket information and the full lineup is yet to be announced, but so far the announced lineup is:

múm, SOUTAISEIRIRON, Carl Craig, Theo Parrish (Sound Signature), Plaid (Warp), JAMES HOLDEN, DJ KRUSH & Kazunori Kumagai, isolée, Omar S, PARA, sleeparchive, Sascha Dive, INO hidefumi, LUKE ABBOTT, DJ NOBU (Future Terror)

More info

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Tuesday, 4 November 2008

Where to buy Japanese music online in English

by craig

Digitally


These days, it is easy to legally purchase and download mp3s. Although the quality is still not usually as good as a CD, it is instant; you don't have to wait for shipping, and it is usually cheaper.

For super-convenience, of course there is the iTunes store, but their choice is rather limited when it comes to Japanese stuff. The same can be said for Rhapsody,



HearJapan has some a nice selection of Japanese albums and songs on mp3 that you can't find in the iTunes Store. They have mostly indie and electropop stuff, as well as visual-kei and JRock.



JapanFiles is similar, and has a good selection of indie songs for 99c per mp3.

Physical CDs and Records


Sometimes we still want an actual CD or record that we can hold in our mitts and file alphabetically on our jam-packed shelves.

Let's start with the big guns.

Amazon Japan is good for those living in Japan as their website is available in English. For international orders, their shipping rates are very high though. Same goes for HMV.

If you live in Japan and can read Japanese, Disk Union is a good place to look.

If you are in the US, you can find a pretty good selection on Amazon.com.

You can find quite a bit of good stuff from a variety of genres on CD Japan or YesAsia. They also sell movies and anime and stuff.

For more specialised music, and of course to support the little guys, I recommend the following:


Otonson has a great selection of experimental and electronic music searchable by label. They also have reasonable shipping costs.



Sonore is based in France and has an interesting choice of electronic and experimental Japanese music. You can see a list of artists Sonore stocks here.

Das Gemeine have some good psych and experimental stuff. Their website is closed for maintenance right now though.



Jetset Records is a cool little record store in Shimokitazawa and Kyoto which also has an online store in English stocking a lot of Japanese and International electro, dance and indie-pop CDs and records.



Tokyo Recohan (Tokyo Record Hunting) specialises in cheap second-hand Shibuya-kei and Japanese pop CDs which you buy using PayPal. They have low shipping costs and the website is in English and French.

In England, there is Far Side Music, stocking mostly older Japanese music like YMO.

You can often order directly from the labels you like. Check out the links page for some record labels.

Some other record stores in Japan like Vinyl Junkie and Onsa can ship internationally and accept orders in English even though their websites are not in English.

Feel free to leave any other recommendations in the comments.

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Friday, 10 October 2008

Radiohead Oct 5th @ Saitama Super Arena

I happened to have a ticket to Radiohead's show on Sunday but wasn't sure whether to go or sell the ticket. I had to think; do I really like Radiohead?
I remembered buying the Creep single on cassette when I was in high school and then copying Pablo Honey from the library. My mum is an aerobics instructor and used Creep in her classes! I had a look around and realised I had all of Radiohead's albums except that Thief one in some form or another. Was I a fan but didn't know it? Or was I denying it because I felt too indie to like a band that was so immensely popular? I decided that while I wasn't a huge fan, I did like them enough to go along to the concert.

Although I've been to countless gigs in my life, this, excluding festivals, was by far the biggest one I have been to. Saitama Super Arena was super enormous and from my seat the band was super far away and super small. Unfortunately, the big screen beside the stage wasn't utilised although there were some nicely directed live images of the band projected on screens behind them.

Before Radiohead, Thom's buddies Modeselktor came on to play an extremely short set which most people ignored. Sitting in seats watching DJs play 10kms away = strange. The Björk remix was pretty cool.

A 30 minute break before Radiohead came on allowed me to swill some beer from paper cups and try to join in the buzz of excitement passing throughout the crowd. Most of the audience jumped to their feet and cheered, signaling that the band had appeared on stage. By the time I stood up and caught a glimpse of them, they had already launched into 15 Steps from their latest album. After straining my eyes and regretting not bringing along those binoculars my mum had sent me for my birthday, I saw that the band were all wearing black clothes except Thom's bright red pants. Without much speaking except for arigatou, 15 Steps was followed by Airbag, Just and There There.

On one side of me were a bunch of very enthusiastic people from Hong Kong and on the other side were a couple who remained seated and motionless as if they were at the cinema. I thought about getting them some popcorn.

I had expected some big light show and pyrotechnics and all that, but there were no explosions and the light show was confined to the stage. Placed around the band were giant beams like organ pipes showing coloured lights. During the song Everything In It's Right Place, the word “everything” could be seen moving across the beams. For Idioteque, definitely one of the highlights, there were broken white bits of light like a crazy computer game. I tried in vain to take photos with my mobile phone as I hadn't brought my camera, thinking it might have gotten confiscated, but it turned out that cameras were okay. Not that any good shots could have been taken from so far away anyway. Idioteque was surprisingly followed up with Fake Plastic Trees. Another surprise they had played earlier was Myxomatosis. It seemed no way near being loud enough for the impact that seemed necessary for songs like the next one, Bodysnatchers. My ears weren't even ringing after the show.

A piano was wheeled in and out for some songs like All I Need, another highlight. In fact, a lot of the songs I enjoyed hearing the most were from In Rainbows. The guy next to me made a good point that they play their new songs with passion and meaning making their obligatory oldies sometimes sound a bit tired. They didn't play Karma Police or Creep, songs I regularly destroy at karaoke, but did play some hits like My Iron Lung and Paranoid Android.

Everything went so amazingly smoothly. The songs were carefully ordered to control audience tension and balance slow with fast, old with new, quiet with loud. I think there were two encores, though I couldn't tell if they were encores or if the band was just taking a break. Anyway the second encore was Go Slowly, My Iron Lung and How To Disappear.

In quite a buzz after the show as the thousands of fans streamed out, I found that I had quite enjoyed myself and was glad I had decided to go.



By the way, I don't have as amazing a memory as it seems; I found the set list here.

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