Yaryu, 円午×苔苔, 藤本壮志×Minato Kasumi×Jan Urila Sas, Subaru Iijima Trio

野流 M/A/S/S/A/C/R/E 2026/08/26

@FORESTLIMIT

Open 18:45 Start 19:00 Adv ¥2800 +1Drink Door ¥3300 +1Drink U22 ¥2300 +1Drink

Live:

円午×苔苔

野流の台灣ツアーにも帯同し、自作のシンセサイザープログラム、MIDIギターなどを駆使するサウンドアーティスト円午と、箏にグリッチーなエフェクトをガンガンかけていくスタイルで知られ、野流の初期メンでもある苔苔の初デュオ！二人とも和や伝統的なルーツを感じさせつつ、非常に尖った方向にアウトプットしていくことに共通項を感じてます。今回はオープニングを依頼！(Hyozo) This marks the first-ever duo performance by 円午—a sound artist who has toured with 野流 in Taiwan and makes full use of his own synthesiser programmes and MIDI guitars—and 苔苔, known for his style of slamming glitchy effects onto the koto and who was also a founding member of 野流! I sense a common thread between the two: whilst both evoke a sense of Japanese culture and traditional roots, they take their output in a very avant-garde direction. We’ve asked them to open the show this time! (Hyozo)

ハナビズ (藤本壮志×Minato Kasumi×Jan Urila Sas) フジロックルーキー出演も記憶に新しい新鋭グループ二兆円のドラマー藤本壮志と、アンビエントノイズ作家Minato Kasumi, Jan And NaomiやGODなどのロックバンドやアブストラクトなソロでも知られているベーシストJan Urila Sasのトリオ！一体どうなるのか完全に未知数ですが、ヘヴィかつエクスペリメンタルでヤバそう！(Hyozo) A trio featuring 藤本壮志, drummer for the up-and-coming group 二兆円—whose recent appearance at "Fuji Rock rookie" is still fresh in our minds—alongside ambient noise artist Minato Kasumi and bassist Jan Urila Sas, known for his work with rock bands like Jan And Naomi and GOD as well as his abstract solo projects! It’s anyone’s guess what this will sound like, but it’s sure to be heavy, experimental, and wild! (Hyozo)

Subaru Iijima Trio 野流の新作「On The Edge」でドラマーを務めている飯島昴は本来ジャズシーンで活動しており、そんな彼がドラム、トランペット、ギターの変則トリオでスタンダードなジャズを演奏するとのこと！パーティの途中で急にストレートアヘッドなジャズが演奏されるのなんだか未知数で凄そうだし、とても楽しみです。(Hyozo)  

Subaru Iijima, who plays drums on 野流’s new album "On The Edge", is primarily active in the jazz scene, and it seems he’ll be performing standard jazz with an unconventional trio featuring drums, trumpet, and guitar! It’s hard to predict what it’ll be like when they suddenly break into some straight-ahead jazz in the middle of the party—it sounds like it’ll be amazing, and I’m really looking forward to it. (Hyozo)

野流 (Yaryu) 若くして浮世離れしたようなオーラを放っていたhyozo氏をソロLIVEで誘って以来の付き合いになりますが、運命に導かれるような出会いの流れの中で自然に変化し、不定形で流動的な共同体に。ニューエイジ、スピリチュアルジャズ、サイケ等と言葉で括ると陳腐にさえ感じるような、コミュニケーションとしての音であり演奏は音楽の民主化と言えそうですし、体験して交流してこそ意味があるものでは？コミュニティの在り方自体へ問い掛けてくる側面も現場に参加して感じて欲しい！(kato) Our relationship with Hyozo—who exuded an otherworldly aura—began when we invited him to perform a solo autoharp set at Massacre. As if guided by fate, “野流” was born, and through a series of encounters, they naturally evolved into a one-of-a-kind, amorphous, and fluid musical collective. While labels like “New Age,” “spiritual jazz,” or “psychedelic” might make it sound trite, their music is communication through sound. Their performances could be described as the democratization of music—and isn’t their true meaning found only through experiencing and interacting with them? I hope you’ll attend a live show to feel for yourself how this group challenges the very nature of what a community can be! (kato)

DJ:

アゴゴー 都内某所のアート施設のクロージングパーティで初めて出会ったアゴゴー。野流のマネージメントなどを手伝ってもらった縁などもありずっとチェックしてましたが、いつしかDJやシタールなども始めて最近かなり活動している様子！これは呼ぶしかないと思って今回お誘いしました。(Hyozo) I first met アゴゴー at a closing party for an art venue somewhere in Tokyo. I’d been keeping an eye on her for a while—partly because she’d helped out with 野流’s management—and before I knew it, she’d started DJing and playing the sitar, and it seems she’s been quite active lately! I figured I just had to invite her, so I reached out this time. (Hyozo)

シンゲリかけ太郎 シンゲリとはタンザニアのストリート発祥のダンスミュージックで、カットアップされた高速のトラックの上にフリースタイルな歌が乗る軽快なスタイルが特徴。 今年から様々なところで縁のある彼にクロージングを依頼しました。なんと今年本場のシンゲリを学ぶべくタンザニアに渡航する予定があるとのこと！ぜひ応援してください。(Hyozo) Singeli is a dance music genre that originated on the streets of Tanzania, characterized by its upbeat style featuring freestyle vocals over fast-paced, chopped-up beats. We asked him—who has had various connections with the genre this year—to perform the closing set. Believe it or not, he actually plans to travel to Tanzania this year to learn authentic Singeli! Please show him your support. (Hyozo)

VJ: hinata! 最近フォントやグラフィックデザインなどに関心が強くなってきているのですが、インスタで偶然流れてきた、人工的に作った水流に直接文字を流していく独特なVJのスタイルが刺さって今回お誘いしました。今回はオープニングからしっかりと世界観を構築して頂きます！(Hyozo) I’ve been getting more and more interested in fonts and graphic design lately, and I was really struck by a unique VJ style I stumbled upon on Instagram—where text flows directly through artificially created water currents—so I invited them to join us this time. This time, we’re asking them to build a strong visual world right from the opening! (Hyozo)

Popup: ゴリラの森 新高円寺にあるギャラリー/雑貨屋/ジャングルとしか言いようのない不思議空間！駅から近いのに入口が分かりづらすぎて入りにくいことも含めて激ディープ。 今回はオーナーのかいわれさんの独自の審美眼で集めためちゃくちゃ可愛い雑貨たちを持ってきてもらいます！(Hyozo) A gallery/gift shop in Shin-Koenji—a mysterious space that can only be described as a jungle! It’s super off the beaten path, partly because, even though it’s close to the station, the entrance is so hard to spot that it’s a bit tricky to find. This time, the owner, Kaiware, is bringing in some incredibly cute items they’s curated with their unique eye for style! (Hyozo)

存在: 田村虹賀 EASTEASTや牢などで何度も共演している虹賀は、その楽天的なバイブスと、妖精とも神ともつかない独特のビジュアルで常に強い存在感を放つ存在。今回はフロアの守り神として「存在」してもらう予定！パフォーマンスも見れるかも？(Hyozo) Nizika, who has performed alongside EASTEAST and 牢 on numerous occasions, always commands a strong presence with their cheerful vibe and unique look—somewhere between a fairy and a goddess. This time, we’re planning to have their “be there” as the guardian spirit of the dance floor! You might even get to see their perform? (Hyozo)