木村 由 / ダンス
REFUGEES:
メアリー・ミーチャ / アナログ・シンセサイザー
カヲル・サマルカンディ / ギター、声
辺境の土地のダンス、蠢く全ての音楽。木村 由とREFUGEES、初めての邂逅が生む、奇跡の様な、幻の様な、夜。東京神田神保町の角、コンクリート打ちっぱなし、中2階のある天井の高いたいそう良く響く場所で、からだと音が光と影のようにひとときモノガタリを形作ってゆきます。木村さんとカヲルとは10年とちょっとぶりの再会。皆様のぜひのお越しを、こころよりお待ちしています。
Yu Kimura / dance
REFUGEES:
Mary Meacha Goldfish / analog synthesizer
Kawol SamarQandi / guitar, voice
Dance in a remote land, all the music that stirs. A night like a miracle, like a vision, created by the first encounter between Yutaka Kimura and REFUGEES. In the corner of Kanda Jimbocho, Tokyo, in a high ceilinged, concrete-bound space with a mezzanine floor, body and sound form a world of light and shadow. It's been a little over 10 years since I last met Kimura-san and Kawol. We look forward to welcoming you all.
03-6627-1951
12:00-17:00 (book cafe)
17:00-22:30 (Live cafe)
(tue-sun)
[Ideal/History]
"Ideal - possibility of comprehensive art "
comprehensive - various
art - something expressed truth
"Something expressed various truth"
It is unfulfilled theme, but I think there is a ventilated world when the wall is broken through
I want to get close to it as possible as I can with "jazz manner".
"History"
I am thinking the series of acheivement of Rikyuu or life style as Ryokan are presious.
I want to embody that sprit in this world without formality.
"SAKAIKI" means the minutes of tea ceremony party.
I have acovocated tea ceremony room various persons has manners come together.
And the origin of SAKAIKI is admiration to Jazz cafe.
・ Toei Subway Shinjuku Line/Mita Line, Tokyo Metro Hanzomon Line "Jimbocho Station" A1 5 minutes on foot from the ground exit
・ Tokyo Metro Tozai Line/Hanzomon Line, Toei Subway Shinjuku Line "Kudanshita Station" 5 minutes walk from Exit 6
・都営地下鉄新宿線/三田線、東京メトロ半蔵門線「神保町駅」A1地上出口から徒歩5分
・東京メトロ東西線/半蔵門線、都営地下鉄新宿線「九段下駅」6番地上出口から徒歩5分