Yuma Takeshita + Toshimaru Nakamura

"Occurrence, Differentiation" Release Live #1

KYOU-010 Yuma Takeshita + Toshimaru Nakamura [Occurrence, Differentiation]

Yuma Takeshita (electro-bass)

– Bio
Born in Osaka in 1982,
Yuma Takeshita started playing experimental / improvised music around 2001.
After moving to Tokyo in 2011 he began constructing his own instruments by modifying an electronic-bass guitar with different sound modules and machines.

– Release
2015 :metsu – metsu (FLOOD/FLD-02), Relay (doubtmusic/dmf-161)
2016 : Salad Michael Tommy ok a silk mill group (self-released)
2017 : solo Mechanization (Midnight Circles/c-44)

– Past Events
Nuit Blanche Kyoto 2016 (performance)
TPAM Fringe 2017 New Waves of Improv in Tokyo (performance)

more information
https://nr-ytmusic.tumblr.com/

Toshimaru Nakamura (no-input mixing board)

His instrument is the no-input mixing board, which describes a way of using a standard mixing board as an electronic music instrument, producing sound without any external audio input. The use of the mixing board in this manner is not only innovative in the the sounds it can create but, more importantly, in the approach this method of working with the mixer demands. The unpredictability of the instrument requires an attitude of obedience and resignation to the system and the sounds it produces, bringing a high level of indeterminacy and surprise to the music. Nakamura pioneered this approach to the use of the mixing board in the mid-1990’s and has since then appeared on over one hundred audio publications, including nine solo CD’s.
He has performed throughout Europe, North America, Argentina, New Zealand, Australia, Korea, China, Singapore and Malaysia, performing and recording both as a soloist and in collaboration with numerous other musicians.
As an active organizer of concerts in Tokyo, Nakamura has helped many musicians coming to Japan find places to perform, both with himself and with others. From 1998 to 2003 Nakamura and Tetuzi Akiyama ran the concert series Improvisation Series at Bar Aoyama and then later the Meeting at Off Site series of concerts. Both these concert series were crucially important in exposing a new manner to improvised music (referred to as Electro Acoustic Improvisation) to the Japanese public and to foreign musicians visiting Japan, making Tokyo one of the global hotspots for this new approach to music.

More information: http://www.toshimarunakamura.com

Selected Discography

- Solo

No Input Mixing Board #8. Oral Records, ORAL 53; The Dim Coast, the dim coast 3, 2013 Maruto. Erstwhile, ErstSolo 002, 2011-Egrets. Samadhisound, sound cd ss017, 2010-Dance Music. Bottrop-Boy, B-BOY 025, 2008 Side Guitar. Improvised Music from Japan, IMJ-513, 2003 Vehicle. cubic music, cubic music 08, 2002 No-input Mixing Board [3]. Alcohol, ALTN1CD, 2003 No-input Mixing Board 2. A Bruit Secret, a bruit secret 02, 2001 No-input Mixing Board. Zero Gravity, ZGV-026, 2000

- Collaboration

Tetuzi Akiyama, Jason Kahn, and Toshimaru Nakamura. IHJ/Ftarri. Winds Measure, wm39, 2014.
Klaus Filip/Toshimaru Nakamura/Andrea Neumann/Ivan Palacký. messier objects. Ftarri, meena-999, 2012-Toshimaru Nakamura, and John Butcher. Dusted Machinery. Monotype, mono 041, 2011
Koboku Senjû. Selektiv Hogst. Sofa, SOFA 530, 2010.
Keith Rowe, and Toshimaru Nakamura. ErstLive 008. Erstwhile, erstlive 008, 2009-Tetuzi Akiyama, and Toshimaru Nakamura. Semi-Impressionism. Spekk, KK: 020, 2009-Ami Yoshida, and Toshimaru Nakamura. Soba to Bara. Erstwhile, erstwhile 056, 2009
with David Sylvian. Manafon. SamadhiSound, SS016, 2009-Annette Krebs, and Toshimaru Nakamura. Siyu. SoSeditions, soseditions 804, 2008 Jean-Luc Guionnet, and Toshimaru Nakamura. Map. Potlatch, P108, 2008-Sachiko M, Toshimaru Nakamura, and Otomo Yoshihide. Good Morning Good Night. 2-CD set. Erstwhile, erstwhile 042-2, 2004.